World Comic Book Review

A Deep Six’d Publication

2nd July 2022

Moth & Whisper #1 (Review)

moth & whisper

Moth & Whisper #1 Aftershock Comics, September 2018 Writer: Ted Anderson Like humour, a mystery is entirely dependent on timing. Moth & Whisper is a new comic from American publisher Aftershock Comics, with a mysterious and engaging name and an intriguing cover. The two title characters are mysterious thieves: The Moth is a criminal who … Read more

Teddy Rides Again: Rough Riders Volume 1 (Review)

Teddy Rides Again: “Rough Riders” Volume 1 Aftershock Comics, 2016 Writer: Adam Glass Theodore Roosevelt, the twenty-sixth president of the United States of America, was an eccentric but brilliant man. A naturalist, a rancher, a Governor of New York, an Amazon explorer, an Assistant Secretary to the Navy, a war hero, a humanist, and the … Read more

Captain Kid #1: Make it Beautiful

Captain Kid #1 (review)
Aftershock Comics
(July 2016)
Writers: Mark Waid & Tom Peyer

“Captain Kid” is a superhero comic book published by Aftershock Comics, with scribes Mark Waid and Tom Peyer serving as co-creators and co-writers.

Without taking away anything from Mr Peyer, who is a well-known comic book writer, fans of the American genre will immediately know the influential body of work of Mr Waid. More recently Mr Waid has proven adept at creating works that take established mainstream superhero franchises and grounding them in reality, without being spiteful of the suspension of belief inherent to the genre.

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The Revisionist #1 (review)

The Revisionist #1 (review)
(Aftershock Comics, July 2016)
Writer: Frank Barbiere

Amongst the melange of themes, there is something quite 1980s about “The Revisionist”. The art is certainly very reminiscent of Walt Simonson or Trevor von Eeden when they were doing pencils for the major US publishers in the 1980s. But it is the plot and dialogue which evokes an urgent, unpolished, self-conscious eighties theme. A reader could be forgiven for thinking that the comic was set during the Reagan years and that the dialogue and art are a clever allusory mirror backdrop (a wonderful example of this was Warren Ellis and John Cassidy’s dunk into the varied period styles of Batman ranging from the 1930s to the 1990s in “Planetary/Batman. NIght on Earth”, (Wildstorm Comics, 2004)). But, disappointingly, the story is described as set in the “present day”, and the urgency and unpolished writing is happenstance.

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