World Comic Book Review

19th April 2024

Kill or Be Killed #4 (review)

Kill or be Killed #4 (review)
Image Comics, November 2016
Writer: Ed Brubaker

It is hard to think of a more consistent duo in comics than that of writer Ed Brubaker and artist Sean Phillips. Since their first collaboration as part of 1999’s The Scene of the Crime, the pair have produced a film noir-inspired body of work every bit as lethal as their gun-toting characters. Where they go, readers have proved willing to follow with critical acclaim and consistent sales.

It is a reliability that has paid off as the two have recently signed contracts to create exclusively for American publisher Image Comics. As part of their unique deal, Messrs Brubaker and Phillips are able to create without pitching their ideas for editorial approval. Whatever premise they want to pursue, in other words, is guaranteed to print. This is a rare, remarkable and precious freedom amongst the larger players in the American industry, which so often rejects ideas based on crude demographics and projected sales. If successful, it is the kind of deal that Image, a publisher with a history of empowering creators, would be likely to offer talent in the future.

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A Eulogy for Marcus: Deadly Class #1-22 (review)

Deadly Class #1-22 (review)Image Comics, 2015-2016Writer: Rick Remender Marcus Lopez Arguello died in late 1987 – the exact date is unclear – aged only fifteen. Marcus’ friends, and we are amongst them, know that his death was a shameful waste. In the freefall of violence in which Marcus spent most of his life, it is fair … Read more

Eclipse #1 (review)

Eclipse #1 (review)
Image Comics/ Top Cow, October 2016
Writer: Zack Kaplan

The premise of a catastrophic solar event has roots in reality. In 1859, a massive solar flare called the Carrington Event caused telegraph poles to burst into flames and covered the Earth in beautiful auroras. Should such an enormous radiation pulse occur in the digital age, the consequences would be disastrous.

Writer Zack Kaplan takes this concept further. In this first issue of “Eclipse”, Mr Kaplan paints us a dire picture of the Sun as a scourge of life. Billions died when the Sun inexplicably brightened, burning all living things. Surviving humans are nocturnal. As the sun rises, police officers in New York’s Time Square assist to round up citizens and get them undercover before the morning sun can strike them down. This planet-changing event is called “the Flare” by the community of survivors, an inaccurate term for an ongoing and unrelenting solar radiation particle cloud.

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East of West #26 (Review)

East of West #26
(Image Comics, July 2016)
Writer: Jonathan Hickman

Imagine an alternative reality whereby the continental United States is divided between the Union, the Confederacy, a Texan Republic, a black homeland called The Kingdom, a Native American high technocratic autocracy called The Endless Lands, and a Maoist Chinese state where California would otherwise be. This universe also features the Four Horsemen of the Apocalypse reincarnated as young children. This is except for Death, depicted as a lean cowboy, accompanied by two powerful Native American sorcerers, and who has fathered the beast of the Apocalypse manifest as a young boy.

This is the outlandish backdrop to “East of West”. And yet despite this absurdity, the series is written, by Jonathan Hickman, with utter finesse. The characters and interpersonal relations are riveting, the action epic, the dialogue fine-tuned, and the execution sublime.

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