World Comic Book Review

22nd April 2024

Deadpool: Bad Blood (Review)

Deadpool: Bad Blood Marvel Comics, May 2017 Writers: Rob Liefeld, Chris Sims, Chad Bowers There are two common (and easily-corrected through a rapid Google search) misconceptions about US publisher Marvel Comics’ very popular character property, “Deadpool”. First, that the character was created by artist/writer Rob Liefeld, a man who was both prolific and controversial for … Read more

Deadpool Versus The Punisher #1 (Review)

Deadpool Versus The Punisher #1 Marvel Comics, April 2017 Writer: Fred Van Lente Some comic book readers may be tempted to avoid the new crossover miniseries “Deadpool Versus The Punisher” purely on principle. The blatant commercial opportunism in the concept does not suggest any quality. On its track record, American comic book publisher Marvel Comics’ … Read more

Foolkiller #1 (review)

Foolkiller #1 (review) Marvel Comics, November 2016 Writer: Max Bemis “Foolkiller” #1 is the start of a new mini-series from American publisher Marvel Comics. It focuses on an anti-hero character, the Foolkiller, first introduced in the pages of the comic “Man-Thing” #3, which was published in March, 1974. The character is obscure but has gone … Read more

Deadpool: Back in Black #1 (Review)

“Deadpool: Back in Black” #1 (Review)
Marvel Comics, October 5, 2016
Writer: Cullen Bunn

The character “Deadpool” occupies a unique space in American comic book publisher Marvel’s rich portfolio of properties. While Deadpool is part of the continuity shared by all of their mainstream properties, the character is given the ability to break the fourth wall in a humorous way, but attributed to schizophrenia.

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It is unfortunate that a serious mental disease is used as a vehicle to give writers freedom to tackle subject matters that would otherwise not be possible when held to a stringent editorial direction (in 1989, American comic book writer John Byrne in “Sensational She-Hulk” had the characters address the reader without the need to explain why).

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But in any event, as a result, Deadpool’s participation in any story usually takes on a satirical tone that is just as likely to poke fun at the narrative as easily as it would call out the idiosyncracies inherent in the American comic book industry.

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