Harley Quinn and the Suicide Squad #1 April Fool’s Day Special (review)
(DC Comics, May 2016)
Writer: Rob Williams
The publication, “Harley Quinn and the Suicide Squad #1 April Fool’s Day Special” is a story which skims thematic tones and mise-en-scenes like a hockey puck on ice. American comic book publisher DC Comics has issued this, no doubt, to tie in with the forthcoming motion picture, “Suicide Squad”.
In trailers for the film, Australian actress Margot Robbie steals the show in her role as the psychotic character Harley Quinn. Harley Quinn, an adversary.of DC Comics iconic hero Batman, is a brawler with no super powers, and as such the character property’s status as a fan favourite is a little unique. Harley Quinn has as a foundation an almost Japanese combination of madness, violence, and raw coquettishness, triggered and perpetuated by an “amae” relationship with one of the most vile and murderous of all comic book villains, The Joker (“Amae” is a Japanese word meaning a subconscious sense of reliance, a desire to be loved, and submissive desire).
This issue, as the title suggests, focusses on Harley Quinn, with other Japanese manga elements. For most of this issue the story is light-hearted and effervescent. The beginning of the story involves Harley Quinn in a state of “hikikomori”, hiding from society in a room eating junk food, with poor hygiene, and suffering delusions.
