“Many Australian comics released on newsagent stands over the past twenty to thirty years have folded after only a few issues. So, it is with some residual anxiety that these words are penned about seven weeks before the release of the First Issue of Aussie Aussie Aussie Oi Oi Oi! Until those sales figures come in, it is difficult to gauge the popularity – or otherwise – of this comic.”
These were the nervous introductory words to the editor’s note in the third issue of “Aussie Aussie Aussie Oi Oi!”, dated January-March 2015. The website of its publisher, ComicOz, indicates that a fifth edition is pending release, and so the sales figures may not have been so dire after all. But the trepidation is well founded given the precarious history of the Australian domestic comic book industry. Notwithstanding the existence of an annual award to recognise the efforts of the very small number of local comic book creatives and industry players (called The Ledger Awards, most recently held on 10 April 2015), the Australian comic book industry is more notable for the spluttering starts and silent disappearances of both titles and publishers.