A Note From the Editor
“When critics are really good writers, it’s nice whether they like your work or not.”
– Gail Simone
Thanks for visiting the World Comic Book Review.
The concept for the World Comic Book Review had a number of points of inspiration:
a.) I obtained a literature degree many years ago and I perversely like literary criticism as a consequence of that study. I do not get much of a chance to exercise that particular muscle outside of this site. Several of our contributors find themselves in a similar position. They are lawyers, journalists, social media managers and others with an interest in comic books but who otherwise have no or few outlets to engage in literary criticism of publications in a medium which they enjoy;
b.) I was writing the occasional column for a site, where in my reviews I treated comics as if they were literature. Which they are, of course. I received a lot of positive feedback for writing critiques which take comic books seriously. Comics writers should not get a free pass on nonsense content because their work is contained in the vehicle of a comic book, and writers should receive proper acknowledgement if they engage in good writing. Having said that, we do try to be kind to new entrants into the industry as it seems that as a matter of principle nascent writers should be encouraged to write and not be discouraged by a harsh review;
c.) Too many popular comic book review sites are sycophantic mouthpieces for publishers, and even nauseatingly so (one recent review of Geoff Johns’ Justice League #50 was cringe-worthy). There has been a gap in the market for some genuinely critical and hopefully thoughtful reviews of comic books. Accordingly, we publish our reviews without fear or favour, and always independent of publishers’ commercial or editorial agendas. We will not accept gifts of comic books for review without clearly indicating that is the case at the conclusion of the review;
d.) There seemed to be no English language site that reviews comics from countries other than the United States and Japan. One of our ambitions is to very frequently review comics from places with vibrant or interesting comic book industries like the UK, France, Australia, Israel, the Philippines, Iran, Hong Kong, and Chile (and indeed we would welcome any English languages reviews of publications from those places or others). Notwithstanding the primacy of the US comic book industry, most of our contributors live outside of the United States, and most of our readers (our recent average is approximately 3000 a month) seem to originate from outside the United States. We have so far written reviews of publications from Australia, Belgium, Japan, and Brazil, and so we have much ground yet to cover.
These factors distilled into an approach which I hope is evident from the style of our reviews. I think the vindication for our method came with Gail Simone’s tweet in 2016, in which she noted the quality of our writing. If a prominent comic book writer such as Ms Simone recognised that we were providing quality in our reviews, then it seemed to me that we were on the right path.
We openly admit that none of the contributors to the World Comic Book review have any expertise in art. This is obviously a gap in reviewing work published in a medium which heavily relies on art to tell stories. Regardless, our critiques do not ordinarily address the very subjective assessment of the art of any comic book.
If at any time you have any questions about the site or its content, please feel free to contact me by way of firstname.lastname@example.org Otherwise, I hope you enjoy the site and its content.
29 June 2016